Review: Various Artists, Blind Pig Records 25th Anniversary Collection


It's only been five years since Blind Pig Records' last anniversary collection, but they've been busy as hell during that time. Many of these recordings are from albums released within the past five years, including some of the most well-respected names on the contemporary scene.

Blind Pig has also dug into the past, bringing long-forgotten recordings to light; an example is The Lost Tapes, a collection of live Muddy Waters recordings from 1971 that had languished in some forgotten vault, due no doubt to the mistaken notion that the world didn't need another version of "Hoochie Coochie Man." "Honey Bee" from that recording is included here, featuring Muddy in fine form and a stellar band that includes Pinetop Perkins, George "Harmonica" Smith (also represented elsewhere in the collection), Calvin Jones, and other luminaries. The performance's relaxed intensity shows that, even though Waters' career wasn't at its highest point when this recording was made, he certainly was on form.

Most of the collection, though, is aggressively contemporary, in keeping with Blind Pig's established sound. But the contemporary blues of Blind Pig isn't the slick, watered-down stuff that's become prevalent; the music here may be as smooth as greased rails, but it's not bland. Deborah Coleman's "Bendin' Like a Willow Tree," for instance, is performed in the husky, understated style that is her hallmark. Big Bill Morganfield and Taj Mahal team up for a solid acoustic "Strong Man Holler," and Chris Thomas King's "Cain" has a quiet, even intensity. Bay Area blues-rocker Tommy Castro gets two entries: the high-energy "Can't Keep a Good Man Down" and the slightly raunchy "Don't Turn Your Heater Down," with support from Delbert McClinton.

That still leaves out the CD-ROM, which includes a few interviews and videos, such as Popa Chubby's grungy blues number "Daddy Played the Guitar and Mama Was a Disco Queen." For 25 years, Blind Pig Records has successfully walked the line between obscurity and commercialism, releasing some fine music along the way. Here's to their 50th.

-- Originally appeared in Blues Revue No. 75, April/May 2002, p. 56




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