TABLEAUX VIVANT

--at the painter George Catlin's Sideshow of Native Americans, Vauxhall Gardens, London, Summer 1844--

Dorothy and William wander Vauxhall Garden's Rotunda and lawns, amused by the musicians' off-key Handel. Only to come upon-- as if by accident-- the Iowas' camp fires: White Cloud calming his horse, Little Wolf with a bone rattle, singing.

They watch Chief Walking Rain body adorned with red streaks, circles, a bearclaw necklace, begin his mock assault on horseback.

Dorothy calls him a hermit like the ones she and William meet in a copse of beeches, where thrushes nest. It's as if she's stumbled into a poem by William. Her mind ablaze with headaches-- with the day's clouded splendor.

Such energy and confusion! she sighs, believing herself lost--poor mad sister who complains now to William of the city's summer heat, of how yesterday he left her to explore London--alone, only a nurse for company, a book, unread when at dusk he found her, confused, chattering to no one at Kensington Market.

William can't cheer Dorothy. Or lift her spirits, when she longs to be back among brooks and glens. He wonders aloud about Strutting Pigeon, Fast Dancer, musing to Dorothy, with a laugh:

"They look out of place, as I feel we must be-- these Indians prancing in feathered costumes, as we gaze upon their savage dances in buffalo robes."

With Dorothy his mood glistens, catching light, which he proclaims: An earthly music. Breezes sallying as they do in Grassmere vales.

"Aren't the teepees a revelation?" William asks-- "Isn't Catlin's sideshow a welcome respite from London's chaos, from our duties here?"

But Dorothy doesn't notice William's questions, or the Iowas' chanting as they recreate for the enthralled few an aura of life camped beside the fast-flowing Missouri.

"Such exuberance!" William says in praise to Dorothy, distracted. Dorothy who closes her eyes, says merely, "Let us go home---"

as she holds tightly to her dearest brother William, and hears a war-cry, sacred songs like the warblers who haunt thickets, fir-groves, in her meadow ranging, Ambleside's calm fragrant airs.


This poem first appeared in the Fall 1999 issue of Northwest Review.


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