sentinel recs 2000

scary-anna-skull

Everything You Need In One Convenient Location by Julad (Sentinel) -- Reading this, I realized: I really do have a shopping kink. This, of course, scares me. But I must now live with the dark, burning shame. Or maybe pale, lukewarm shame. One of those. And it's almost a shame to steal this particular excerpt out, but what the hell.

Why you should read this: Fresh produce, rice, pasta, noodles, cereal...et cetera. And then there's these two adorable guys wandering through the aisles, bonding by the raw meat, flirting again and again and again. Reading this, you realize Blair is the Energizer Bunny of flirting, and Jim is the big fucking doberman that's going to pick up that bunny in its jaws one day and...do something really slobbery and obscene to it. In a good way.

What might throw you off stride: Nothing at all, unless you decide to show this to your mother, and she forever after gives you funny looks every time you visit, and then you'll realize that one man ogling another man's nice round ass is not quite the charming and winsome family fare it seemed to be at the time. And, oh yeah, this is rated NC-17. Ignore the rating, though. It doesn't apply.


People Like You by Meredith Lynne (Sentinel) -- Am I reccing this because the sheer power of my whining prompted Merry to post this? Because I got to select the title? No, because it's a new Merry story and lovely, lovely, lovely.

Why you should read this: Well, duh.

What might throw you off stride: It's too short. . .no, no. It's not really. I only wanted another 90k because I'm greedy. I wanted another piece of pumpkin pie, too. Sigh.


Cloud Mountain by Lemon Drop (Sentinel) -- 'Tis the season and we have been gifted with an early snow: 159k of birch trees, swirling flakes, roaring fires, and cuddling.

Why you should read this: A long, lovely atmospheric piece that feathers layer upon layer of details and mood, this has all kinds of cool stuff that lets this work on many levels, as comfort fic (Jim and Blair cozy up in front of a fire, kindle romance), and as a nicely significant literary landscape (birch trees, mythic archetype, vision quests). You got some romance, some meaning, and some tongue sandwiches.

What might throw you off stride: I had some personal responses to the story that may not affect anyone else's reading--concerns about structure that may evaporate on rereading at some point, a slight resistance to warm-and-fuzzy Jim characterization, a dislike of neutral anatomical terms used in sex scenes ("penis," "anus," "scrotum"). Overall, though, this was a complex and interesting story, and one that should not be missed. Perfect for a winter evening.


Nuance by Resonant and Livia (Sentinel) -- This just came out, and I've put it on my classics list, but I'll rec it here too. Because you should read it now. Go directly to this story, do not pass Go, do not collect $200.

Why you should read this: Characterization, plot, writing. That sort of stuff. This is understatement, by the way.

What might throw you off stride: Well, now that the suicidal thoughts have passed and I've revoked my oath never to write another word of fiction, I can say that this story caused no lasting harm to me. It was like taking ecstasy: a period of wild euphoria, then the drastic serotonin dip, then the eventual recovery. This story may be more or less hazardous to your ego, creative productivity, and diet. But of course you should read it anyway.


One of Those Nights by Thomas (Sentinel) -- For this story, and the next three stories after it, I was revisiting the archive, finding some great stuff I'd overlooked recommending. Thomas is, for lack of a better term, a one-shot wonder. One story from 1998, none since; at least none in Sentinel. How do things like that happen? It's a cruel world....

Why you should read this: A nice premise, a lot of heft, a surprising degree of angst sustained until the very end, plus a reluctant and conflicted Blair.

What might throw you off stride: Your Birkenstocks, maybe? I dunno.


Love's Austere and Lonely Offices by Brighid (Sentinel) -- This is the kind of story you will enjoy reading on a rainy day when you want to feel cozy. Of course, you could also read it in the Arizona desert when it's a hundred degrees in the shade, but that would be wrong.

Why you should read this Ellisonian familial angst, Jim and Blair getting domestic, Blair being the generous charmer that he is.

What might throw you off stride: I think even William the Bloody would like this story, including the heartwarming ending. Of course, then he'd go kill someone to clean his palate, but that doesn't mean we have to.
 


Leaning and Falling by Kalena (Sentinel) -- The perpetual question I struggle with is why so many writers come, write one great Sentinel story, then ride off toward the horizon, never to be seen again. I think I'm going to invent a name for this. I'll call this the 'Lone Ranger Complex.' Of course, this concept is ruined by the fact that Kalena did came back to write another story, but I won't let this stop my sweeping generalization.

Why you should read this:  Lush language and atmosphere; beautiful moments of imagery; signs of intelligent life in the universe; Jim and Blair and lots of hotel bedding.

What might throw you off stride: Lush language, etc. Some readers have mentioned the elaborate metaphors as distracting, the language as dense. There were a few places I would have pruned back the growth, but I think all that flourishing is a healthy sign. Which is why I would have expected to see even more stories sprouting from such a fertile garden of prose. Hint, blinking hint.


Grey Areas by Wax Jism (Sentinel) -- An author whose name sounds like a surfing product or a brand of Chinese chewing gum or a punk band. Inventive. Kicky. Distracting, distracting... okay, moving on to the story now....

Why you should read this: Blair being resourceful and mesmerizing and angst-ridden; Jim being a big comforting watchdog type guy; dirty trauma; cleansing, post-traumatic boinking.

What might throw you off stride: There are a few clinkers, off-key notes, here and there. E.g., "Well, He Died With His Nikes On," doesn't strike me as something you'd be thinking when your friend was in mortal danger. But sometimes there are lumps in the batter and the cake is good anyway.



Thought About the Army by Kass (Sentinel) --  It's always good when an author sits down and asks herself, "Now, what might have happened if one day in the army Jim was thrown over a vaulting horse, paddled, and used brutally by a nameless officer?" Why you should read this: Aforementioned vaulting horse, nameless officer, spanking, and other fun activities involving Blair Sandburg, Love Child.

What might throw you off stride: Those who are made nervous by spanking will be made nervous. Maybe.


Quicksand by Donna Jones (Sentinel) -- Author's first story! Always nice to see a new writer take a leap into Sentinel fandom.

Why you should read this: I thought this was a lovely first (and first-time) story; cleanly written, romantic, good characterization and cop stuff, and nice pacing. There were many warm moments where I recaptured that elusive 'honeymoon' perception of the guyz--you know, that buoyed feeling you walked around with in days of yore, when you weren't jaded and had read every story under the sun and imagined them doing it in 69 different positions, and had the fantasy with the collar and the other one with the pirates.

What might throw you off stride: A few people have mentioned the 'talky' bit in the middle, but damn it all, it's short, and not badly done. C'mon, there are stories out there where they spend the entire 60k talking about their relationship. Aside from that, I was a little confused about the details of the B-plot (the cop stuff), but overall this was handled smoothly.


The Blair Witch Project by Corbeau (Sentinel) -- It's almost a certainty that this will be the only Wiccan-themed slash story I ever rec. Ahem. And because I know you're scared now, here's a nice long excerpt for y'all....

Why you should read this: It's nice and long and competently written, and I actually sort of teared up near the end. Oh, and she used the word "smileoid" and gave good e-mail and mentioned Peter Wimsey. Ten bonus points for each.

What might throw you off stride: It could have used a strong beta hand. It's uneven and definitely contrived (particularly the conversations between the two female friends), but there's a noteworthy intelligence and writerly ambition behind the contrivance. So go on--embrace the Wiccan yenta inside you for a little while. Blessed be.


Near Miss, Direct Hit, and Cease Fire by Cara Chapel (Sentinel) -- Somehow I missed the boat on reading these for about three months after they were posted. But I got lucky tonight, just as the smut jones hit.

Why you should read this series: Tension of different kinds drawn throughout all three stories, angsty sex. Good, angsty sex where Jim is reluctant and conflicted, and Blair is generous with that pretty mouth of his. I think the word I'm looking for here is "Guh."

What might throw you off stride: Wounds, stitches, antiseptic...not my kink. But the vehicle carried me to the blowjob without running out of gas, and I am happy.


Rematch by Sheryl (Sentinel) -- It's always interesting to see what first stories look like. This one was cleanly written, nicely characterized, and very cute.

Why you should read this: Men wrasslin' and stuff...

What might throw you off stride: ...with a 'slight concussion.' But sometimes you've just got to ignore that slight concussion, when you're a superhero and horny.


Pretty Rough by Francesca and Emily (Sentinel) -- I got to read this in beta (neener neener), which is when you're supposed to find problems and suchlike and maybe have a little critical distance. But I was still blown away.

Why you should read this: Jim history, angst and owwies, sweet moments with Blair, and elided sexual descriptions that will still make your toes curl. Smooth but gritty. And as a fabulous bonus: a lesson in writing second person well.

What might throw you off stride: It's dark. Like "ouch ouch ouch." If you're primarily fluffy, you may want to wear some sort of protective mood shield.


Mermaids Singing by Lyrica (Sentinel) -- A Sentinel/X-Files crossover. Long and meaty, just like Skinner's...um, just like Skinner. Ahem.

Okay, well...that's all I would have needed. But here's a longer chunk: Why you should read this: Skillful writing, at length, and plenty of sex. Mulder. Blair. Jim. Skinner. Jesus, isn't that enough? Oh, and there's a case and some plot and stuff.

What might throw you off stride: They're all gay, they trade off partners, and Jim is voyeuristic (but it kind of makes sense, when you think about it). It all works out in the end, of course.


Kissing Friends by Basingstoke (Sentinel) -- This is probably the easiest way to rec stories two and three in this series, Interlude: Camping, and Being Friends. The first story didn't really hook my attention, but I did take a look at the next few as they came out and discovered that they got more sharply written and endearing as they progressed. The quote is from story three:

Why you should read this: Seduction, betrayal, Stalin. Balloons. Wheat. The usual.

What might throw you off stride: The really snappy dialogue doesn't start until the second story, and they're not really stories, more like snippets. But they made me grin goofily, so you're not allowed to dislike them. Hopefully there will be more to come.


Bonds by qwertyuiop (Sentinel) -- Hot off the presses! Well, as of today. Which by the time you read this will be some other day. It's 2:00 a.m. here, in case you couldn't tell. I'm sitting here at my computer but my brain is over there on the bed, sleeping, curled up like a little cat...a pink, hairless cat. It's sort of horrible, really.

Why you should read this: It reads sort of like Mallory Klohn on decaf. Which possibly sounds snarky, but isn't meant to be. There's some lovely turns of phrase here, and cuteness. I like cuteness now and then, this being now and then. I like decaf too. (Caffeine-free six weeks and counting, thank you!)

What might throw you off stride: It's not really a story. It sort of revs up, bumps merrily along, then stalls and rolls to a slow, unexpected stop as if the author ran out of gas. But there's a lot of (prepare for icky word) potential here. I'll happily dive into any more stories I see by this author.


Desirous of Everything by Lemon Drop (Sentinel) -- Damn all prolific authors. Like pushers hooking us on sweet smack, while our own creative energies sigh, roll over, and go back to sleep. No, no. I'm not bitter. I'll finish that story someday....

Why you should read this: Characterization courtesy of a nail gun, grown-up Blair, a case story with plot lines on the side, all kindsa good stuff. Yeah, I'll finish that story someday...this year. Next year. Whatever.

What might throw you off stride: It's rated 'R'. For Christmas, I want a big fat NC-17 story, with four sex scenes...or five, if you're feeling generous.


Tepid Apocalypse by Molly (Sentinel) -- Winner for most intriguing title of the year. Plus, hey man, is it just me or is Sentinel fandom starting to attract charmingly bent girls with a literary bent? The author notes in her author notes: "Quoted headers to each part are, in order, the three stanzas which make up Henri Michaux's poem 'Shriek', as translated from French by William Rees."

Why you should read this: Some of you were thinking that Tepid Apocalypse was just another Bruce Willis movie, but you've wandered into the wrong theater. This is a nice story; definitely low-key, as the title implies, but plausible and with subtle authorial curlicues sprinkled like garnish all the way through to the last line. (And if you ask me what the hell that means, I'm just going to tell you: I have a head cold. Leave me alone.)

What might throw you off stride: I like Blair's pal Sydney. When I read stories like this, I feel as if my tastes in slash have matured, because I used to have knee-jerk reactions against icky girls appearing in my slash stories. ("Cooties!") I imagine it could cause discomfort for some readers, but maybe not. Maybe everyone else already had mature tastes and were just waiting for me to catch up....


Wandering the Maze by Destina Fortunato (Sentinel) -- A revisitation of Cypher, with an enviable beta list.

Why you should read this: Clean, crisp prose settling over you like sheets of linen...green sheets. The sheets of envy, under which we will curl into a fetal ball of admiration.

What might throw you off stride: Nine out of ten readers agree: we're still a bit dubious about that broken door. But, yes, it makes a nice symbol.


On Edge by Shadow (Sentinel) -- The author notes that this is a loose sequel to a zine story, which of this date is still not archived. But it's easily read on its own merits. 

Why you should read this: Incendiary sex, and...um. Yeah.

What might throw you off stride: There are a few off-key phrases here and there, but mostly it's a smooth ride.


  Ripples in the Dirac Sea by Allaire Mikhail (Sentinel) -- This is the first posted Sentinel story from this author. I hope there will be more to come.

Why you should read this: This has an interesting story approach; and we don't see enough experimentation in fan fiction, so most exceptions are worth mentioning. There is thoughtfulness here, and good writing. Though I hate the phrase 'she has a lot of potential'... well, she has a lot of potential.

What might throw you off stride: A few tiny formatting oddities, some repetition that doesn't seem to move the story forward effectively (as opposed to the repetition that does), and occasional reliance on fanon--e.g., the obligatory jungle metaphors--that comes across as a bit weak. But we all love a good jungle metaphor once in a while....


  The Kindred Spirit by Marilyn (Sentinel) -- I haven't figured out the sequel/prequel/continuity relationship between this and her first story, "The Last Experiment", but you can read this by itself just fine.

Why you should read this: Because I say so, damn it! But seriously. There is much to admire in this story, including originality, a dedication to background research, compelling detail, descriptive pleasures, and kick-ass dialogue.

What might throw you off stride: Some plot twists may seem a bit contrived and some dialogue may be clever to excess. As faults go, there are worse.
 


  Love's Bitch by Lenore (Sentinel) -- The author says in her notes, "...this is more a fantasy on the theme of "Prisoner X" than a true adherence to its plot." Works for me.

Why you should read this: Prison dynamics, a high-voltage sexual charge, feral regression, and a thorough exploration of sexual ambivalence in terms of top/bottom power anxieties. Yum.

What might throw you off stride: Characters with names like "the Rock" and "the Weasel", a few off-key notes ("clink") here and there, and--perhaps--a certain stylization in the characterization and drama. But then, is stylization bad? This is a self-labeled fantasy, after all; and in striking a balance between stylized kink and realist nuance, this is very accomplished. In a way, I think this is a measure of the author's skill: the boundaries of fantasy are not big enough to contain her.
  


  There it Is by Strandia (Sentinel) -- A first-time story by a writer who has just this single, lonely story in the archive so far. More? More!

Why you should read this: I'm revising my thoughts here a bit. I'd first said that I didn't think this story would inspire a passionate response, because it didn't feel like it was breaking new ground. But as I read this again, I found that consideration irrelevant. It's a sweet and sturdy little story, editorially clean and with highly competent writing. The guys are affectionate, the sex is hot, and the premise is interesting and given sufficient attention to carry the story. Sentinel fandom would benefit from more stories by writers willing to take such a degree of care--and more stories by this writer.


  Under the Radar by LynnZo (Sentinel) -- If this were a movie, I'd call it a 'sleeper'. Sneaky little thing....

Why you should read this: This is courtship written with old-fashioned respect. It moves at a gentle pace and could probably single-handedly reclaim 'sweet' as a complimentary term. The domesticity is satisfying, and if you don't like it (you loft-mockers, you know who you are), don't come whining to me about it. When I read this story, I visualize a certain style of photographic posters where two hunky men gracefully embrace, making homoeroticism look completely natural. Which of course it is.

What might throw you off stride: God only knows. Do you kick puppies? Lock kittens in closets? Then you might find something to dislike here.
 


  Nature's Ascent by Francesca (Sentinel) -- A gratuitous rec, in some ways. But read it again. And for those of you who just came back from an expedition in Borneo and haven't read the Nature series, this story comes at a point well along in the series' progression, but it might be an interesting experience just to click through and read it anyway.

Why you should (re)read this: That particular Francesca ability to draw epiphany from the passages of ordinary life.

What might throw you off stride: The ending, perhaps. But by then your stride is pretty much over anyway.


  Ministers of Grace by Lanning Cook (Sentinel) -- It's pre-slash, and if I recommend a pre-slash story, without sex, you can be sure it's without parallel in its creamy goodness.

Why you should read this: This story throws characterization up against the wall and nails it dead center at point-blank range with a shotgun. The Jim-Naomi dynamic in particular made my jaw drop to the floor in awe. Maybe your jaw will join mine and the floor around Lanning's story will soon be littered with jawbones of the envy-stricken.

What might throw you off stride: The dashes are not formatted correctly.


  Paradigm by Sigrid (Sentinel) -- I'll break my standard and go to traditional summary, to say that this is a story that deals primarily with Blair's adjustment to being a cop.

Why you should read this story: Gritty grown-up Blair--and after reading several Tiny!Blair stories from other writers you might find yourself thinking, "Wow! He grew up at last and he's a man!" All that and damn good partner angst too.

What might throw you off stride: It's definitely Blair-centric. You Jimbabes might need to open your mind. But your heart will follow.


  Dominion by Destina Fortunato (Sentinel) -- Destina writes in PM and a whole heck of a lot of other fandoms. I'm thinking that I must go take a look at her Gladiator fiction...but first, back to our regularly scheduled fandom:

Why you should read this story: By the end of the story you'll be running a fever. Ownership kink is a happy, happy kink. A well-written story built around ownership kink is occasion for even greater joy.

What might throw you off stride: Let me get back to you on that....


  Men by Miriam Heddy (Sentinel) -- The title says it all.

Why you should read this story: Men.

What might throw you off stride: Men.


  Bid Him Come, Bid Him Go by Legion (Sentinel) -- Of Legion's stories, this stands out easily as a favorite.

Why you should read this story: Dedicated attention to plot, great use of supporting characters in an alternate universe, Jim angst, and surprisingly carnal sex, given the circumstances. This exemplifies good story-telling.

What might throw you off stride: The premise. Suspend your disbelief, man. It's worth it.


  Anniversary by Kass (Sentinel) -- Kass has been known to describe her stories as "Pop-Tarts". I have a thing for Pop-Tarts. Strawberry. Toasted.

Why you should read this story: "Blair's neck was bent..." And for those of you who don't have a nape-of-the-neck kink, the rest of the story.

What might throw you off stride: Bitch!Carolyn characterization. But sometimes a good woman must be bashed to create good slash. (No, no, I'm just kidding. Jeez.)


  Ocean, Moon by Lemon Drop (Sentinel) -- The author writes, "Blair's sacrifice of his research and reputation obsesses me..." There have been many good post-TSbyBS stories, but this one stands out in a crowd.

Why you should read this story: The words to describe the assured style of this story elude me. Some have called the straightforward prose 'deceptively simple', and I think that works. Part of the fascination of the story--as one of many different retellings--is to see both the practical and emotional sequelae to the final episode presented with so little varnish. (I stole the word 'sequelae' from the author. Good word.)

What might throw you off stride: Lack of quotation marks. I hardly noticed this style choice, and when having it pointed out, realized consciously that I liked the effect--a lot. So I'll just say that other readers mentioned they found this off-putting.


  Days Like These by Meredith Lynne (Sentinel) -- One of the few authors for whom I'll descend to 8k. <g>

Why you should read this story: Yummy men lounging in bed.

What might throw you off stride: Simon, dude. Take a hike. They can't have sex if you're looming over them with your sixfootwhatever.


  Tender by Resonant (Sentinel) -- Resonant has a pretty name. I like that in an author. And now that I've demonstrated my deep superficiality....

Why you should read this story: Good partner angst and characterization, thoughtful permutations of tenderness, writerly style, and juicy sex. The experience of seeing classic slash themes done justice by a writer attentive to craft and to pleasing the reader--a pleasure it's hard to grow tired of.

What might throw you off stride: Quotations serve as dividers between sections, which is nice--it furthers the story--but the spacing is cramped, so the sense of 'pause' is undermined. A case where more white space would actually be a good thing.


  Other Kinds of Things by Helen (Sentinel) -- Helen deserves special commendation for never writing anything below 50k or NC-17. That's my kind of writer--oh wait, and she's fucking good.

Why you should read this story: Incomparable dialogue that uses deadpan style to laugh-out-loud effect, and the subtle but immensely satisfying pleasures of 'guy slash', in which men act like men.

What might throw you off stride: Need I even say it? Helen's punctuation and style choices are unique. You either accept her house rules or eat your slash somewhere else. Me, I'm all for it. Nice to see a story once in a while that doesn't look like every other story.


  Inferences and Innuendo by Lenore (Sentinel) -- Oops, I've recced Lenore twice. Well...sorry, you'll just have to deal. This is actually a series of five stories, not unlike an episode arc.

Why you should read this story: It's rare to see the darker and grittier aspects of gay sexuality and identity issues explored like this in slash fiction--or, wait--maybe I should say, explored well. This series has heavy angst, and entwines stories that trace Jim's and Blair's paths to sexual self-discovery in an intriguingly complementary way. I really like this series.

What might throw you off stride: The title. This was archived under the alarmingly long and rather off-putting title "Inferences and Innuendo: Club Doom, Threatened, Secrets and Lies, Past Bad Acts, and Coda".


  Housebroken by Brighid (Sentinel) -- Another exception to my usual rule of preferring (a) stories with explicit sex, and (b) longer stories. Brighid is pretty prolific and there are many of her stories to choose from, but this one has had the most impact on me.

Why you should read this story: Because real guys fart.

What might throw you off stride: Real guys, farting. But, um, seriously--this isn't a story about farting. (That would be scary.) My first reading of this story was a bit of a shock; but after only a second reading I took it to heart and have cherished it ever since.

Warning: Just because Brighid can pull off a story that mentions farting, doesn't mean you can--and even if you can, don't. Please.


  Back to Good by Bone (Sentinel) -- Bone makes first-person point-of-view look easy. The rotten @#$%...mumble, jealous mumble.

Why you should read this story: To learn how to write.

What might throw you off stride: "The end."


  Woe is You I: Pine and Stew by Mallory Klohn (Sentinel) -- A.k.a. Ethan Nelson, a name that should bring a nostalgic smile to the faces of X-Philes.

Why you should read this: The inimitable Nelson-Klohn style, in which dialogue is snappy, guys are horny, and humor is like one of those clown horns going wheeee in your ear. But in a good way.

What might throw you off stride: Fast-and-loose dialogue and characterization, if you really want to poke a stick at it. Plus, what's up with "Woe is You I"--where's II? Damn it, that's cruel.


  Aphrodite's Garden by Emily Brunson (Sentinel) -- Speaking of cruel authors.

Why you should read this: No one does Jim angst like Emily Brunson. To read Jim's pain is to feel it, a sensation not unlike finding yourself cranked slowly through a meat grinder. But in a good way.

What might throw you off stride: It's unfinished, damn her eyes.
 


Solitary Creatures by Aristide (Sentinel) -- Another writer who calls her stories Pop-Tarts, but I don't think I'll let her get away with that. This is more like a strawberry shortcake with fresh cake, and cream, and strawberries and maybe some chocolate drizzled over the top. Um...it's four a.m. and I'm hungry.

Why you should read this: A lapful of lush, pushy Blair. Lots of creeping Blair fascination from Jim's bewildered and pie-eyed point of view.

What might throw you off stride: I had to actively search for something to carp about: punctuation. It can be a bit scattershot, here and there. Parantheses, asterisks, unclosed dashes, ellipses...sometimes all in a single sentence. But I've been there, done that. I too know the slow mournful lure of the ellipses of the heart....

Ahem.
 


Skinsgame by Barb G (Sentinel) -- She came, she wrote a few stories...then she went Due South. Which I'm okay with, believe me, but I wish she'd visit Cascade on alternate weekends. Holds the distinction of one of the few authors I'll read who uses 'cum' instead of 'come'.

Why you should read this: Intense angst, incendiary sex--and plenty of it--that's often contingent on plot (I know, the mind boggles--when's the last time you saw that), grown-up characterization, and a fine, tightly woven blend of case-story and relationship-story.

What might throw you off stride: The climax of the story feels a bit premature and the ending rushed, but perhaps that's just because I wanted this to be much, much longer.
 


Testing, Testing by Pares (Sentinel) -- So one day, long ago now, I was checking out recent additions to the archive and cried with discovery, "Pares is writing Sentinel!" Unfortunately, I don't think I ever wrote her to express my joy. Because I suck.

Why you should read this: Because sometimes Blair is a ripe luscious peach of a man and Jim's a big fat banana split on a bed of ice cream...damn it, I'm still hungry.

What might throw you off stride: I don't know. My mind's a blank. Why don't you make something up and write and tell Pares about it and tell her this was a great story, but you feel she should keep writing more Sentinel stories until she gets it absolutely perfectly right--and we'll give her, say, ten years to accomplish this. Get cracking, Pares.
 


In Vodka Veritas by Gloria Lancaster -- If I actually had a section on classics, I might be tempted to call this one.

Why you should read this: Toasted Blair. And a certain tone of dry whimsy that you can come back to again and again.

What might throw you off stride: It cries out for a sequel, but it cries alone.
 


Salt, Tequila, Lime by Lyrica (Sentinel) -- Okay, what's with these X-Files authors? They come, they tantalize us with a few awesome stories, and then gently slink off again. Of course, I like to think they all have long WIPs just waiting to be posted....

Why you should read this: Proof that challenges sometimes do yield valuable results. Hot sex with the scent of lime--you'll want to lick Blair after reading this. And actual plot that continues on after the obligatory bump-and-grind, to build this into a solid story.

What might throw you off stride: See here and substitute 'Lyrica' for 'Pares'.
 


Vow by Rhipodon Society (Sentinel) -- See also Vow, Part 2 and Vow, Part 3.

Why you should read this: The voyeuristic enjoyment of watching the Jim-Blair relationship develop from a distance, filtered through Simon's restrained and limited point of view.

What might throw you off stride: The section breaks aren't clear enough. And this didn't need to be broken up into three story files; they're relatively short.
 


Strange World by Rhipodon Society (Sentinel) -- I have to make another Simon POV rec. It's rare to find stories that do this interestingly or well.

Why you should read this: Great Simon characterization, slash at its most subtle, and feral battling Sentinels. Yum.

What might throw you off stride: Formatting is off in places, the reclamation of book style--indents, no breaks--is a bit hard to adjust to, and brackets for thoughts should be outlawed.
 



 
Sugar is Sweet by Russet McMillan (Sentinel, One West Waikiki) -- You really don't need to have seen One West Waikiki to appreciate this story, though it helps to know that Mack was played by Richard Burgi. Dr. Holliday was played by Cheryl Ladd. Why you should read this: Professional plotting, science done well, solid characterization, musical partners, effective use of the supporting cast, realist detail, Jim angst...oh, just go read it.

What might throw you off stride: Two-thirds of the way through you will suddenly realize you could never ever plot a story like this to save your life and you will slit your wrists and bleed to death. Or perhaps just eat a lot of chocolate and moan.
 


In the Air by Sandy H. (Sentinel) -- You might find yourself thinking, "Ah...Sandy, Sandy, Sandy--why the hell don't you write more stories, Sandy, Sandy, Sandy?" Lucky for you a new zine called Crossroads is coming out right now with one of her stories in it. Yay, Sandy!

Why you should read this: To read injuries written believably, to study goddess-level editing--and of course to see the humorous extrapolation of a hundred hospital trips and discover what 'receptive anal sex' means to Blair Sandburg.

What might throw you off stride: Vigorous, raunchy, wrasslin' sex is impossible when you've been knifed in the ass, so you'll just have to make do with this.
 


Deja Vu by Lex, a.k.a. Alexis Gunn (Sentinel) -- Not found in the archive, not sure why. You can find it via her homepage, here: http://members.tripod.com/AlexisGunn/sentinelstory.htm

Why you should read this: If you liked Groundhog Day, go read this.

What might throw you off stride: You will be left with haunting repetitive nightmares that you are getting up out of bed, staggering into the shower, and going into the office, getting up out of bed, staggering into the shower, and going into the office, getting up out of bed, staggering into the shower, and going into the office...no, wait. That's just my life.


Inchworm by rgkinski (Sentinel) -- I feel a little schizoid reccing this. I like two-thirds of the story, and then wham, out of the blue, squicks start to drop on my head like little inchworms.

Why you should read this: The majority of the story is delightful: brotherly teasing, great dialogue, zippy rapport, much amusement.

What might throw you off stride: Just stop at "'How's my karma doing?' he asked, heading towards the stairs," and you'll be fine. Just pretend it's the end. If you dare to continue further...don't blame me.


skull graphic from kat's meow
 
go back and look at the hippie boy
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