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trifles, sweet and bitter
Briefly contemplated a two-camps theory of fans: those willing to be wooed, who watch shows with a suspension of disbelief, eager to love, loyal despite the repeated blows their shows deliver, forgiving to the end. And those who say: just give me a fucking reason to leave you, buddy, and I'm out of here, because I don't take that shit from anyone. All theories are stupid and reductive. As are all statements like that one. Watched the new Angel ep, "Loyalty," tonight. No spoilers, but damn. Wesley. I've said such mean things in the past about him, about Alexis Denisof. I should be horse-whipped. He can elevate stuff to a whole other level, single-handedly. Manful acting muscles. Much limber angst. Loving him. Guh. I just stumbled across some stranger out there in the yonder with a privately made journal who had somehow hidden its source code, replacing it with a really snotty comments message about theft and "learn it yourself." How about, get the fuck over yourself, you smug, closed-source bint? Personally, I was sneaking a peek at your HTML panties for other reasons, but hey, keep your dimpled knees together for all I care. Hope that works out for you, that whole intellectual property Nazi worldview. I'm sure you'll be front of the line squealing in joy when the entire web has turned into a huge, javascripted blank wall from which we can't even copy and paste text. I'm sure this person doesn't know me from Eve, which makes this rant merely rhetorical. Which is probably for the best. I rather dislike this Anna-me (anomie?) right now, I'll admit. Lost all respect for me yet? I'm feeling pretty snotty myself, and too conscious of myself. I need out of my brain. I'd like to see more use of the phrase "fetching minx." And "by jove." As in, "By jove, but you're a fetching minx, what?" I'd like to eat a cupcake, I'd like to be able to write, I'd like to be thin and dementedly beautiful and getting laid. I hope you are well soon, Te. I shimmy hugs your way, and this: I imagine them going to a demon poker game together, Xander and Spike, and getting drunk on something spiked (so to speak) with a melange of weird magical cocktails that make them horny and crazy and gradually amnesiac, and things go wacky around the card table, and somehow they run off--Spike with a kitten in one pocket and carrying a pistol, Xander with a sack of money, and they flee on foot, evading pursuers, laughing their asses off, and then even as he's hooting and stumbling, Xander has enough presence of mind to call Buffy from a pay phone, but then they run on, and their memories flitter away behind them on the breeze, and suddenly they're staggering around in the middle of downtown at night, wondering what the hell's going on--demons are coming, though, and Spike hotwires a vehicle and they jump in and start spinning out in their stolen pick-up truck, Xander driving, lose the demons, pick up a tailing police car, sirens wailing, and both of them are stupidly wild, Xander slightly more dazed and nervous, Spike tripping like he's on PCP. Xander is swerving all over the place, giving the cops a run for their money, and they cross the street in front of Buffy's SUV, and Buffy et al, alarmed, catch up and pace them--Giles driving on the wrong side of the street, Xander on the right, cop trailing behind. They're trying to get Xander's attention, but he's only alarmed by the sight of these gesturing strangers and won't roll down his window. Spike isn't even paying attention to them, he's determined to take out the cops, and he leans out his own window like a madman and takes careful aim with the pistol--and in the SUV, everyone is freaking out--and shoots out the wheels of the cop car, then gives a rebel yell as the cop car spins off the road and bounces off a storefront. He falls back into the cab of the truck and notices their company. From the SUV they can see him talking to Xander in a way too familiar way, and they can't stop boggling in confusion, and after what looks like an argument, Xander suddenly speeds up and Spike darts up again and Giles says, "Oh, fuhh--" and begins veering back and forth as Spike tries to draw a bead on their tires while leaning precariously out of his window, and then he successfully shoots and Xander keeps driving as the SUV brakes sharply to a halt, leaving everyone gaping after the escape of their previously sane friend and vampire. And Xander and Spike drive on, out into the countryside, both of them trying to figure out who they are and speculating on what the hell they are doing with a kitten and a gun and a sack of money, and Spike is so out of his mind he begins macking all over Xander as he drives and then groans and gives him a blowjob, all without their speed dropping below eighty miles an hour, and after this brush with death, they pull over and fuck by the side of the road, then fall asleep. Wake up, morning, oh oh, but luckily Spike realizes he's a vampire and is able to huddle down while they find a hotel--and from then on, they realize they are star-crossed lovers and bandits, and they decide they'd better hit L.A., where they can disappear to ensure they aren't picked up for whatever robbery they committed. posted 2.25.2002 @ 11:41pm -- right-click here to grab a link Sociopathy and Head Injuries See, this is why I have a blog: today on CLex, there was a post talking about sociopathy and head injuries, and I perked up and thought, yeah, hey, I'll post about how head injuries are just one of a constellation of attributes that surround serial-killer profiles (the more classically known childhood behaviors are bed-wetting, fire-setting, and torture of animals). Then I was like: but I have nothing to say about the show per se at this moment. And it'd be a post just like that which would probably trigger an off-topic admin warning. So, yeah, that would've been my first post to CLex. I should just embrace my lurkdom, I suspect, because the more I read about Nell's theater and the question of joint ownership of the Kent farm, the more I realize I don't give a fuck. I don't care about the universe to that degree, down to the brass tacks. And as much as I groove on the show, I probably never will go to the fancrazy place where I ask myself questions like, "Are there community property laws in Kansas?" And on the subject of head injuries, it's a wonder Jim Ellison and Rupert Giles haven't become sociopaths long ago. Swerve. So, in reading back through Jintian's blog, I found some comments on Spike and a vampire debate (serial killers or mad dogs?) that I'd never read, one of which was (gist) that if Spike is redeemed without a soul then Buffy has been a serial killer all along. See, I just don't buy this. I don't buy that the Buffyverse is so very different than our own that one "sport" (freak, mutant, exception to the rule) brings the entire universe crashing down. That's taking a diverse and complex universe and trying to simplistically reduce it to a stark, abstract, air-tight architecture of perfect logic, and why would you do that? Would you want to live in a universe like that? The defining law of good universes--fictional and otherwise--is that they are filled with strangeness, contradictions and mutations. They're also fluid, not static. Not unless you want to cling to some facile Manichean ideal. And maybe that sounds a bit harsh. I half take it back. I don't mean to call whoever adheres to that structure of logic facile. I get in fact at least one reason for doing that, because I can see its appeal in dramatic terms, to simplify matters, to make sense of things. Our brains want to make sense of things, and we are itchy when confronted with contradictions and messy edges. And I've read a lot of authors who love working with a very structured concept of a universe, and do it well. But I've also seen logical fixes that are just too damn tidy--or too elaborate, the endless machinations of authors who clearly feel bound by those constraints and then go to ridiculous lengths to try and justify exceptions they want to make. Whereas what I so often love about the Jossverse is how the characters will come across the Next New Thing that defies everything they've come to believe--and take it in stride. Because they're adaptable. Because they know not to be too surprised when new wackiness contradicts the old. And in dramatic TV terms, the creators know what they're doing: you don't waste all your exposition trying to explain at great length why the pink horse popped into the library, you give it a coat of gloss and move on. You just deal with it, so you can do all the other cool things you want to explore. And maybe you revise a little when necessary, move old things around so that new things fit. And you can even write it so that people didn't have all the knowledge before that they thought they did. So, let's just say: living in the world means you're forever learning something new. And people change. What novel concepts. Wow. At any given moment, we don't know it all, and at some point, we might be different than we are now. Are these things so hard to accept? Even in the occasional, multifaceted Jossverse monster? Which isn't to say that if a universe's structure becomes too shaky and full of holes, it doesn't become compromised. That can happen, sure. But one redeemed vampire isn't going to sink the ship, people. Assuming that even happens. I'm happy to go both ways, when it comes to canon. (Or, you know, anywhere else.) Am I ranting? Well, I wasn't when I started, and I took out all the "fucks." Jeez. I don't usually give in to a head of steam. I don't think I do. But there's my definitive statement on the Spike issue. Until I change my mind. And there's not just one Spike issue, is there. But, whatever. There's a slice of it. posted 2.25.2002 @ 8:36pm -- right-click here to grab a link the sum of a day Slept late. Got up, went out for brunch. Paid way too much--fifteen dollars in all--for eggs, bacon, toast, terrible orange potato wedges, and coffee. Read a few pages of Lost Souls, first Poppy Z. Brite book I've ever attempted; not sure about that yet. Came home, planned to do laundry, failed to do laundry. Napped. Wrote a little. Existed for a period of several hours, doing things I can't remember. Read people's cool e-mail to me, did internal Snoopy dance without moving my butt from my chair. Planned to answer e-mail, failed to answer e-mail. Listened to "Uniform Grey" by Sarah Harmer approximately seven times. Wrote. Seethed at my upstairs neighbor, contemplated him as one of a long line of detestable anonymous neighbors, perhaps like the roommates of Twitch City, which I have in fact never seen, which invalidates the comparison. Broke my floor fan, fixed my floor fan. Watched Motorcycle Drive By. Watched Motorcycle Drive By. Watched Motorcycle Drive By. Watched Motorcycle Drive By. Went out and bought chocolate, ate it discontentedly, wishing for a Skor bar, but too lazy to drive anywhere. Hours later, found a Skor bar in my last shopping bag, experienced moment of miracle. Vowed to answer e-mail, failed to answer e-mail. Wrote a bit. Read long Buffy story with execrable editing, amazing plot and dialogue. Itched to fix errors, seethed with writerly envy. Watched Motorcycle Drive By. Wrote a bit. Realized it was after ten at night, and I had failed to do laundry, failed to answer e-mail, written only a bit, and that the weekend was nearly over. Wondered why I am the way I am. Poised fingers on keyboard to continue story. Switched windows. Wrote this. posted 2.24.2002 @ 10:37pm -- right-click here to grab a link Not Kittens Everyone has said more than enough about the blog panel, and yet. Blah blah here I go, blah. As someone else said, there really wasn't a huge schism between bloggers and those who thought it was wack. There were in fact only four people there, I think, who were representing non-bloggers; specifically, people who had self-confessed issues with it. And I was glad they were there, because to my mind the first logical discussion of blogs at a con should be the one between those who do, and those who don't. And then, over the years, the discussion should progress somehow. I mean, I would love to see a blog panel at Escapade every year, with a slightly different focus of discussion each time. Even so, the particular comment about 'respect' that got everyone's dander up got mine up too. It was probably well-intentioned, but it was clearly an idee fixe, and pretty irrelevant to the discussion. As so many people have pointed out: what the fuck? You can invite mockery just by existing, not to mention for your stories, for your list posts, for the comments you make at a con, for your behavior in general. Anything you put out there establishes a risk that (a) people will get to know you better, (b) people will decide, once they know you, that you're on crack and they're gonna plonk you. The sense I got listening to this person's comments was that she'd perhaps been on a list where one blogger was mocked and/or there was an anti-blogging thread, then generalized from this, trying to instill a sense of paranoid panic in every blogger present, like a zealous Christian missionary trying to convince the natives they're all going to hell. Good intentions, maybe, but with a bad, bad vibe. And as one of the natives, I did cringe at the time. Because it was effectively provoking--those vague but loaded comments which made it sound as if any or every blogger in the room might be the subject of mockery by non-bloggers. And the more this point was harped on, the more I began to question the motives behind this. I suspect it's just issues, not motives, at root. But at the time, to me, it was like, why would you tell a friend that someone on another mailing list was mocking her or ripping apart her stories? Why would you come to a panel of bloggers and--with obscure references guaranteed to make everyone wonder "Am I the one?"--try to instill bad feelings in a group of people on the fucked principle that it's for their own good? What I took away from this: she kind of proved her own point, but not about blogs. She put something out there in the world, namely the comments at this panel, and my respect for her opinion--sustained for years because of her writing and friendly communications--took something of a blow, because that obsessive agenda to edify us poor, ignorant bloggers was misguided nearly to the point of rudeness. Nonetheless. I did thank her afterwards for being there, and I meant it, because we needed more non-blogging voices; and I was also glad that T. and Shoshanna were there to speak from that perspective in a more balanced way. I promised Shoshanna that I'd set the record straight, by the way, and clarify that she does not consider blogs exclusionary by intent of the participants, but in the sense that anyone who self-selects not to join in blogs naturally will feel excluded from its venue of conversation. It's possible my comments might have given that impression, but I didn't intend to convey that. So there you go, Shoshanna. {g} We love you. And T. too, who braved herself and said very cool things. There were so many people there with so much to say that, de facto, the panel became a less dynamic conversation than a more free-form format would allow. But better more structure than none at all, and I was really glad when the moderators began listing names. (Shout out to Rache and Kat!) I got freaked when my turn came; I had too much to say. And then I said as much of it as possible, at too great a length, and anxiously. But oh well. This is why I have a fucking blog! I can't talk in person. I'm all gah, incoherence, jitters, blah blah, someone stop me. I remember I said something about links from blog to blog being like doorways, but frankly I'm just going to try and forget my ramblings. (And I wasn't on acid or anything, but in retrospect, doorways? How very Jim Morrison of me.) I'm looking now at my notes made after the panel, on my torn napkin--and I should point out that these are all just my thoughts, for the most part. I don't mean to imply group consensus. So, we talked about how blogs model female friendships. Say you're on a list with twenty people you know with varying degrees of intimacy. You have some infodump to share, but if you post to the list, you're essentially forcing it on all members; you are putting it in their inbox, in a venue which carries with it some degree of obligation--or maybe I should say pressure--to read. If you put it in your blog, though, people's visits are self-selecting, elective. You are putting less pressure on your friends; by not making a "forceful" gesture of putting yourself forward into other people's space, by making your friends come to you by choice, you allow them to decide where to set the boundaries. This goes counter to comments made at the panel suggesting that blogs may be an ego-gesture to draw people to you, sort of like (my words) courtiers around a queen. Blogging requires your friends, your readers, to be actively participatory in a dialogue--they have to step forward to listen. Whereas on a mailing list, there's a passivity there; which can give the poster pause, particularly if she gets no reply. It's like in real life, if your listener is staring at you stone-faced, giving no clues as to whether your comments are welcome or not. At least with blogs, if they're reading/listening, you know they've done so by choice. And while this may seem to be built on egocentricity, reciprocity comes if the friend has a blog, which you in turn visit. Which is why everyone should have blogs! Okay, no. But I do see that there's an imbalance there, between bloggers and non-bloggers, at least if the blogger does not have comments. (*cough*) With all of that in mind, I see a blog as a kind of tactful machine, a device that allows more comfortable proxemics between speaker and listener. It's like a list, but different--and the differences have to do with issues of pressure and obligation that center on response. I think that blogs are often (not always) adopted by people for whom lists can be intensely frustrating. And I need to bullet point my thoughts because they are somewhat disconnected:
More notes from my napkin--blogs are like salons, yes. Blogs versus annual Christmas letters: S. was describing blogs as being like those mass mailing X-mas letters, the photocopied ones that blurt out the news of the year with no personalization. J. disagreed, because the sheer frequency of blogs--their day-to-day nature--allows you to weave your friend's life into your own, and so it is not so impersonal. I can see sort of both sides of this. I understand the argument which goes: "My friends have blogs, but if they're my friends, why don't they share their feelings and thoughts with me personally?" As a blogger, there are lots of reasons for this. My own aren't exactly noble, and would have to include time, emotional buffering, probably laziness to some degree, along with the difficulty of maintaining very personal friendships online, the kind where you say to someone you've met in person less than a half dozen times in your life, "Oh, by the way, I'm an alcoholic and here are my thoughts on that." Yeah. Napkin says "feedback." This was interesting--it was argued, I think, that having no comment functionality is just another way to bolster ego, because it lessens the similarity between blog and list. It makes it all about your monologue, doesn't allow response. For me, though, the absence of a comment function is akin to the absence of hit counters: it drives ego off, because I don't want to be toting up my hits and number of responses. Doing so would feed into egocentricity for me, emphasize this blog as a device to garner attention. It's not this way for others, I realize, and I like the comment function in livejournals, etc. But for me, that apparatus would be dangerous. Linking all of the thoughts above is an overarching concept: the fiction of privacy. A good or useful kind of doublethink, someone called it. This was discussed in the panel and afterwards. It's the idea that when blogging you are talking to yourself or just to a group of friends, even though it's in a public forum. There has to be a sanity-check, though. During the panel, Zen gave an example of how someone from real life stumbled across her blog, and the jarring feeling this gave her. I know I've seen experiences like this mentioned in other blogs. Personally, I maintain the fiction of privacy, simultaneously while staying conscious of boundaries between my real life and virtual life. It may not look that way, since I dump a lot of stuff out there. But while I think the "voice" I use in my blog is really close to who I am and what I'd say if I were never making this public, there's also a degree of restraint and awareness of audience. I censor myself in certain ways--I use initials for people at work, I don't give into my worst impulses to namecall or say "stupid bitch!" I don't say things that would truly embarrass me and show me at my most disgustingly human. And when it comes to the overlap of mundane and fannish life, I have one occasional reader, a friend from work, and she's my mental test-case: am I saying something I'd hate to get back to people at the office? That would freak me out so much if they knew that I'd be unable to show my face? Not that I think she'd say a word: I just like to use that as a mental exercise. And sure, I'd feel uncomfortable if people I worked with knew about slash, or the drinking thing, but I work in a very liberal company and milieu, and neither issue is going to scandalize anyone. Blogging is one area where I don't feel the need to buy trouble by giving into paranoid worst-case scenario fantasies. As Devon said during the blog panel, it's about shame: why should we feel ashamed of who we are? Of what we think and feel? To hell with that. Devon, you rock. If I could summarize a rule of blogging for myself in one sentence (after all this blather) it'd be: Unlearn shame, exercise tact. It seems contradictory, but I don't think it is. Tact is partly about self-censorship, yeah, but it's also about being part of a community, maintaining friendships, and so on. And to the person at the blog panel I've talked about, who in fact will probably never read this: I'm fine saying what I've said here, wish that I'd been brave enough to say it in person, and hope you understand my feelings. Here ends the boring meta-post on blogs, which contained no kittens. posted 2.23.2002 @ 10:21am -- right-click here to grab a link Kittens Lar has some interesting things to say about blogging and meaningfulness, riffing from an article on Wired.com. She mentions me in that context, which is kind of boggling, though, you know, nice. I started this blog in an utterly feral state, on a plain white page with no links, to mumble to myself in a structured format, and ensure that I was writing something when not writing fiction, however inane. Dreams and babble. I still feel that's what I do--dream and babble in a very marginal way--even when discussing more fannish things. Weird. I had something else to say and now I've forgotten. Oh, I ate a cheese sandwich! Kidding. That wasn't it. I did eat some Cheetos though. I have a thing for Cheetos right now. Do you ever bite the ends off two Cheetos and try to mash them together to make one long Cheeto? Come on, it's like glueing your hand and peeling it off when it dries. It's one of those things. Try it. Speaking of Cheetos--no, wait, this is a non sequitur--I was rewatching "Couplet," last week's Angel. It was so fucking smart and funny and well-shot and good and I keep wanting to write about it, but instead here I am writing about writing about it instead. Because that's what I do. And maybe I'm trying to prove I'm boring and meaningless here, because I can't be meaningful, no, I can't be, and I feel like Spike crying defiantly, "Take that back!" at the accusation of being not-evil. Yes, I'm trying to be inane, all right. And. It's...it's working, isn't it. Crap. Oh, here's something I wanted to say: I met Lanning Cook. There, I said it. Here is me waving to Lanning, hoping we'll spend more time together next year. I feel a great weight off my chest. The kittens are invisible kittens. posted 2.21.2002 @ 10:49pm -- right-click here to grab a link Really Sexy Clams Day Two of jury duty consisted of me revisiting the food court, where I sat for several hours until they paged me and dismissed me early. And that's it! I don't even have to go back tomorrow, and I actually am disappointed, because now I have to go to work instead. Hell. Notes from today follow. 10:15am The view from the 4th and Cherry Starbucks: along the window, spiky plants and strange alien ones with clustered green blossoms at the end of stems like giant rosemary. And each blossom is a cup in which nestle two little buds, green and frog-eyed. The winter tree is beautiful, branches in the shape of rivers on a map, lying against the white-grey sky, and declining smaller branches like the fringes of a shawl, and leaves in the wind that move like mouths talking or in the gesture you make with your hand to show someone yapping. Another tree from the opposite window--stretching against the pebbledash building across the street, which has a trim of grey blue. Dull, good colors and rain on the bricked sidewalk, rain blackening the trees, grey buildings with old molding. The building to my right has three strips of windows running vertically down its side, of increasing width, and inside the glow of ceiling panels are scattered in irregular quadrangles, looking like some alien system of representation on a starship, as if meaning and not lighted randomness. The curve of the streetlight against the sky is black metal, like a pump handle, or the press of a tea-pot. Someone is singing in French, a torch song from an old movie. L'amour. A white sea gull, circling in front of red brick of the Alaska Building, somehow reminds me of The Sentinel. Baristas overheard: "Stabbing in this kid's back..." "Some girl slapped me across my face." "He wants to slam my hand in Matilda, crush my feet." Barista #1: "The police ought to have a bigger presence in Seattle, keep people in line."
10:50am I'm having trouble staying awake despite the wind outside and the piano music and the taste of coffee on my tongue. Gull circles, light reflects off wet bricks the color of chocolate and dried blood, two police cars pull up to the light, someone runs across the street, a bright red hand appears on the crosswalk, a girl in a striking green coat--that shade of anemic peas--wanders back and forth. It would be cool to be a gull, at least for a day or two. The Starbucks music station is playing some jazz scat, and the vocalist keeps making chicken sounds. Yesterday they had old blues--I liked that better. 11:20am Twenty-five minutes until I can relax--they give you an hour and a half for lunch, and really you're okay by quarter to noon; they wouldn't call you then. So during this period I can listen to my headphones and not fear missing a page. I could even go home, it's not that far; but I fear I wouldn't want to return. 11:30am Layers of color: pearly sky, which alternately looks white or grey or the palest most washed-out blue imaginable; black stripe of a tree trunk; deep maroon brick; creamy white brick; chocolate brick; these are three adjacent buildings; tan, dull buildings, newer, on either side; more creamy marble like a frosted wedding cake, a stale one. The court building is spectacularly ugly from the rear--tan panels, grey window facing streaked by dirt or rust, square windows that look lopsided by earthquake, and a big blue set of cages, no doors or roof, with no evident purpose. You could have your picture taken by this building and it would not appear out of place in a nineteen-seventies social studies text book. 11:37am I cannot stay awake or upright. Time for Lady Marmalade. Voulez vous coucher avec moi? Oh yeah, this works. If I were a good person, I'd write an AU story for Te in which Spike and Xander lose their memories and believe they are bank robbers and star-crossed lovers, and go on the lam to L.A. with a poker kitten and a sack of money, where they hole up in an abandoned loft, from which they slink each night to go clubbing, twisting their sinuous hardbodies together on the dance floor, Xander with his shirt hanging open and Spike with his off, or vice versa, and Spike would have this way of dropping hard to his knees and then slithering slowly back up Xander's body, under the strobing lights, and one day Cordelia and Angel would spot them in a club and gawk at MIA Scooby and the Gay Vampire, dirty dancing together in a press of sweaty bodies, happy as clams. Really sexy clams. And that'd be the story title: Really Sexy Clams. No. Not really. 12:15pm I've just realized all of a sudden that Merry is here in Seattle--whee! I can invite her over to visit! Someday when my apartment is clean! Which may be never! But, of course, that's an incentive to clean it. Which is always useful to have. 12:20pm A nice slow version of "Cry Me a River" is playing. Now that I've pumped up on Stevie Ray Vaughn, I'm awake enough to appreciate it without falling over face-first into my notebook. Hey, I never did mention--non sequitur!--that the name of my pilot on the last leg of my flight to Santa Barbara was named Daniel Giles. I'll spare you the brief crossover that flashed through my head. The name of the stewardess, and they don't actually call them that anymore, but I can't recall the proper title, was Wendy, and she was very funny, sort of like a more self-aware Harmony, oddly enough. Now I am home, and someone has posted my con report to one list, and my vid reviews to vidder and I am vaguely nervous. Perhaps now I will receive some of that mocking which was alluded to in the blog panel. Mwah ha ha. 'Hem. posted 2.21.2002 @ 3:15pm -- right-click here to grab a link Jury Duty and Other Nummy Treats So, jury duty is now utterly demystified for me now. I can't believe that I was going to try and get a work exemption. Sheesh. Here's what happens: you go in, get some orientation, they tell you it's a court of limited jurisdiction and you're only going to be there 2-3 days, and then they basically just cut you loose to wait for them to summon you for a panel. You don't even have to stay in the building. I signed out a pager and just left. I went touristy and hit the nearby Pioneer Square, which I'd never visited in all my three years in Seattle (yes, lame), heading in particular for the Elliot Bay bookstore. Great store, worth going out of your way for, and they give a twenty percent discount to jurors, so I got the new Ruth Rendell. After that, I just wandered around, then headed back up to the Bank of America food court and lounged there all day, eating, drinking way too much coffee (even if it was decaf), listening to my headset, staring off into space in a pleasant daze, and reading smut. Finished two longish Quercus stories and the second half of M. Fae's DS zine. I didn't get called back for a panel yesterday, so it'll probably be today. This is actually the best possible way I could have spent the days following my return from Escapade and now I'm giggling at the ironical deliciousness. Of course, once I have to do some actual jury work, I'll probably be all, ho-hum. LaT has a fantastic Escapade con report in her journal. A lot of great detail on the panels, in particular. And it's so fascinating to hear a full account of the weekend and think about how our paths must have wound around each other's, meeting up with some of the same people at different times, intersecting at occasional panels, then going our own way. Regarding how to get vids, here is a list of the vids that will be on the Escapade con tape, as best I can make out; there were a few errors on the Friday playlist, and I'm leaving off one that says "yes" for con tape because they didn't show it. I'm marking with stars the ones that really stand out for me; the others were either not that great, or I just don't recall them that well. A lot of very good Highlander vids, for instance, just become a blur to me because I never watched the show: From Where I Stand, by Kathy Martin (DS)
Hmm. It seems like a very short con tape, compared to last year's. But I suppose they may add in some other stuff not listed; plus it's only twelve bucks or so, and I think I'd pay that much even if I were getting only three or four of the vids on this. You can contact Katharine Scarritt, one of the vid show organizers, for more info. Just looking at the other vids that aren't being included, I can tell you that some are on the Media Cannibals tape five, which you can find out ordering info for by writing the Cannibals. I suspect some of the other vids will be bundled into collections, e.g., those of Killa, Luminosity, and Carol S--all solid, dependable vidders, at the very least, and often fantastic, I think. Contact the WOAD group with questions about that. Re Lynn's vid "Motorcycle Drive By," I somehow think she won't be putting that up online or on a tape anytime soon. If I find out more, though, I'll mention it here. Maren has a charming entry on what I can only think of as slash chic. Heh. I didn't know we had this. My trajectory of fannish orientation goes something like this: Age 9-13: het gothic romances
My entire fannish existence, I'd never gotten het at all. Gothic romances were roots I thought I'd severed. When people I thought of as slashers wrote het I was befuddled. The entire X-Files Gossamer archive, which was largely het, was like a huge library that held no books I wanted to read. This rarely bothered me, though sometimes I'd briefly wonder if I was less well-rounded than other fans who liked both slash and het. I mean, I was so extreme that I never even read gen. Gen was as bizarre to me as het--almost more so, because it was like, what's the fucking point? I could not even comprehend becoming interested enough in a fandom to write in it if there was no compelling erotic element. Fan writing to me, personally, was always about eroticism. It seemed strangely geeky and superfluous otherwise. I'm kind of over that now. {g} Still wanting, and not yet committing, to writing about the blog panel. I keep thinking I have a lot to say and that it will take a chunk of time and mental effort. Though maybe by the time I bring myself to write, I'll find myself thinking, "Oh, whatever." And still haven't started writing again, now that I'm back. I've been mostly sleeping. I keep going to bed after I get home, and crashing until the middle of the night. And then getting up for a bit, then crashing again till morning. I had a bigger sleep debt than I realized, I guess. Oh well. Maybe tonight. Addendum: Destina has some great stuff in her journal now about Escapade, including panel notes and a con report. Various related thoughts: in LaT's con report, she mentions the "fannish black hole" last year, from March-October. Which is so weird, because that corresponds almost exactly to my own gafiation from fandom. Which is not to say I didn't have new interests, but still--weird ebb for me, and strange to think that others might have been feeling it too. Destina writes: "Went to several panels of great interest to me; most of the panels were very neutral and without controversy." Yes, this was exactly my experience too--I'd mentioned my disappointment with panels in general, but could have added these words exactly. Even the ones that were good felt very neutral, sort of unenergetic. Strangely beige. On vidding and feedback, Destina also hits on some of my own discomfort. On the vidder list someone recently said that right now they don't see the things an experienced vidder sees, but that they can sense some things, and that's how I feel. Which makes it hard. I gave gushy feedback in person to people at the con, and they all seemed very happy with it. But I definitely don't have the technical savvy to say highly informed, critical things. And I would get nervous giving feedback on a list like vidder, because I'd be sure to flub some term, and I suspect there are some hardcore vidders who'd be very derisive about that, in private if not public. Plus, I find that I often like vids on a simple level, vids that other more experienced vidders deride for technical reasons. When I say technical, though, I also mean that they are paying attention to things like POV and lyric-clip matching in a way that I'm not. I respect that, in the way that I respect my own critical insight into language when I read a story. Still, unless I want to make the commitment to apprentice myself to a master vidder and soak up the insight, it can be a bit uncomfortable for us to be operating on two different levels, the same way I can be uncomfortable, I think, with people who don't have critical insight into stories--who can't even know when their pleasure in a story is a "guilty" one or not, i.e., despite problems. I mean, I wouldn't want to kill someone's pleasure entirely by pointing out all the huge problems I see with a story, though I might make some critical comments. And I can see that careful restraint exactly in how some vidders talk to me about a vid that I've just gushed about and they find deeply problematic. And, just in general, there were people like me who just went blind with ecstasy at the vid show, and others who were annoyed or bored for much of it. It's kind of funny, really. But I'm pretty much okay with where I stand in the vidding food chain right now; I don't have any interest in taking it up as a practice, and my focus on writing keeps me from really committing the time and effort to becoming a deeply informed viewer. And as long as my brilliant vidding friends can tolerate me, I'll tread water here in the shallower end. {g} Speaking of vidders--swerve of subject--I never did mention how cool it was to get a private re-viewing of "Friction" with Kay, Kathy, and Jill. They were very kind, indulging my greed, and I got to see Gwyn and Christy and other folks for a little while, shortly before the weekend ended. Somehow I missed the chance to hang out with them more, but cons are like that. Next year, I keep telling myself. Next year. posted 2.21.2002 @ 6:44am -- right-click here to grab a link Stranger in the House Dreamed that I was driving through a small town to attend a vocational school. I arrived, not yet at the school, and was assigned a house to stay in--a big two-story place that belonged to a couple who left town. I was alone there. I begin to hear things downstairs, a presence in the house with me, and terrified I leave, take off for the small downtown center at night, intending to stay out the rest of the night and perhaps return in the morning to get my stuff. Go to a small diner where I wander around, intending to find a table and stay a while, and it's very busy, tables crowded, and I put my bicycle by the back wall and begin to sit down at a table, but realize there are scruffy biker types sitting there already, one with his arm around a woman with no shirt, pointed tits sagging, so I take my bike and ease off, trying to play off like I meant to sit somewhere else, go stand and read a story in People magazine, waiting while a dozen or so people pay in line, conscious of needing something to read, and finally ease into line and say I want to place a table order for a BLT. Counter guy mocks me for this with incredulous face, says it's so busy it'd be another day and do I want to order something that's already made. I say no and tell him I want a BLT and I've been waiting and he moves down the counter to make a sandwich. He is one of three people behind the counter--all looking like hick relatives. A tired woman with long brown hair and gappy teeth, eating snatches from a sundae, a man who may be her father, sitting on the counter joking, and this guy who is her brother or husband or both. I take sandwich and fries home, intending to get my stuff and leave again right away. I notice the front porch light is off as I enter, and I can't switch it on, but for some reason I must feel like everything is normal now, because I'm not even thinking of the intruder, and end up staying a bit, too casually. I sit downstairs and eat, still planning to leave, but my mind lulling me into a sense of false security. Only gradually do I realize that I am hearing another TV from upstairs, and that the porch lights being dark was something different and bad and wrong, and my heart squeezes as I look off across the dark living room between me and the front door, and the stairs down which suddenly someone might walk, and I run out of the house, down the drive. I have my car keys and intend to drive off, but I leave them in the car door, the car door is ajar, and as I'm panicking and looking back at the house, the front house door closes. In terror I run wildly down the street, past all the sleeping houses, looking for someone who is up this late at night, and there is a big house on the corner, the front screen door showing tons of people up and inside, eating, watching TV, playing board games. I go in and tell my story in great detail, crying. One tough old schoolmarmish woman scoffs when I am done. How do you know he meant to hurt you? All he did was watch tv? I say I need to find a phone number so they usher me into a small office room, with a tired woman who is some kind of secretarial nurse. She says, "I won't tell them you're tired if you don't tell them I am." She hands me a binder whose pockets are filled with selected business cards and numbers they use in their business, and I tell her my number won't be in there, so she points me to the white pages sitting nearby. Frantic, I flip through the book, trying to find the phone number to call the school, which I can't fully recall the name of--it's a government school, so I look through the short set of government pages, but can't find it. I go outside into the main room, still frantic, and try to break into the conversation going on. There are several male doctors standing around in a loose group, a lot of running children, and a sprawling extended family of relatives and communal coworkers, all of whom seem to be wandering around in a reasonless hubbub. They are all talking busily. I keep having to scream to try and get them to pay attention. Occasionally someone will try to shush the others to focus their attention on me, but it's pretty hopeless. I say something like, "You know there's this high school for troubled kids called G----, right, so what's the name of the other place, the government vocational school for troubled kids?" It's such a small town they should absolutely know this, but no one does, and they shake their heads. No one is really caught up in my urgency. I sit and search my purse and can find nothing useful, and it's making me wild that I have nothing on hand with the info written on it, and I vow never to travel again without info in my purse, and as I'm searching a vibrator, taped together with something like a rubber hammer, rolls across the floor. I go over and retrieve it from by the front door, and shove it back in my purse. Then I do find name of school at last scribbled with phone numbers on paper, and I call police. the policewoman (also a man) is unimpressed by my story and takes a bag or something from me and tosses it in the back of her vehicle; it's like a tiny convertible with only a front seat for the two cops, and an open trunk in back where boxes and bags are heaped. I ask to ride with them, but the cop says walking would be good for me. and anyway, it's only down the street. So I jog down while the cop drives, though somehow they arrive later than I do. I get to the house, with a bunch of people coming along for the show. my car door has been closed, and I am upset that it's not still sitting there ajar with my keys in it to prove me right. I think I see the intruder's face pressed against the front door, through a meshed screen--surfacing darkly like a ghost, then vanishing. I also look around and in the crowd outside and see a smiling boy with reddish hair and pockmarked face, sinister and very watchful, and I get chills thinking he may be the intruder, though soon I find out he's a waiter from the diner who has a crush on me. The cops pull up and I whirl around as a black VW bug roars away--the intruder leaving. The waiter dashes after it, determined to avenge me. I'm kind of glad my masturbating upstairs neighbor woke me up at two a.m. and gave me a breather from this dream. posted 2.20.2002 @ 2:55am -- right-click here to grab a link Nap Girl God. I'm writing this at work. And I've been barely upright since lunch. Eyelids sandbagged, eyes glazed. So fucking tired. Didn't go to work yesterday because I thought it was a holiday and I couldn't reach anyone at work by phone. Turns out it wasn't a holiday. Heh. But my boss wasn't in either. He has a Monday problem. I respect that. And it makes it more excusable for us to slack off too, when needed. Tomorrow jury duty. Must bring stories to read. Wish I had a laptop, but don't know if I'd be able to focus enough to write. Damn this Spike/Xander fantasy. What the hell is up with me? I didn't write fic yesterday, but that was actually because I spent the whole day post-con processing, and napping. But my guilty secret is that, aside from the obvious tiredness, I mostly napped to fantasize. I fantanapped. Nappasized. It's a terrible, tawdry fantasy. A demon realm--oops! down the rabbit hole!--full of desert sands and noble vampires and Spike with long braided hair, and Xander all toned up and slimmed down, with an oddly attractive beard and long, braided hair. Yeah. It's a hair fantasy. It's all about the hair. Well, no. Hair and pecs and pretty clothes and swords and horses and sweet, sweet man love. It's so sad. And Spike keeps getting twistily revisualized as he travels through my brain-pipe, and comes out the other end looking like Legolas. Which is. So embarrassing. But I didn't make him an elf, goddamn it. I. Did. Not. Shut up. Twelve minutes until I can go home. Is it so wrong to want Spike to have some happiness, even if he is an unrepentant demon who by my estimate has killed at least 6240 people? When worlds collide: today in my team meeting we had a meta meeting; we debated rules of conduct that we need to adopt for future meetings. It's a directive. And I actually kind of get off on the organizational principles. But anyway. There was this one rule we were discussing, and my colleague was trying to convince me it was meant to be interpreted as a guideline for introspection; i.e., we were supposed to take the rule ("test disagreements and solutions") and self-check our positions if we were in disagreement. I thought this was pretty useless; we had just brainstormed a list of practical ways to test disagreements as a group, and I came down hard on the side of practicality. No one's going to bother to remember some abstract rule of introspection six months from now, but if we put into practice a handful of guidelines we could actually make meetings work better. B. said my argument was Aquinian, i.e., that Thomas of Aquinas argued for a philosophical system in which a set of external laws can mold social behavior and morals, rather than for a system where internal morality comes first and drives the social compact. And I was all like, hell yeah, Thomas of A, he the man. And then I surrpetitiously jotted on my legal pad: "Aquinian --> law not morals --> Spike!" Because that's the fascination of his potential for me: that he might become a moral or ethical being not because he gives a shit about others, but out of self-interest and external social pressure (and love, if you want to lump that in). Because that's how I live my own life. I don't use my soul, though I admit to having empathy and something of a conscience. I'm not a sociopath, as far as I know. Our team meetings are very strange. posted 2.19.2002 @ 7:09pm -- right-click here to grab a link
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